Warren Motte

Introduction: The French Novel Now
SubStance 35(3): 3-4; DOI:10.3368/sub.35.3.3 [PDF]  

Sam DiIorio

Chaîne et Chaîne: Representation as Corrosion in François Bon’s Daewoo
SubStance 35(3): 5-22; DOI:10.3368/sub.35.3.5 [PDF]  

Jean-Louis Hippolyte

Christian Oster: From Courtly Love to Modern Malaise
SubStance 35(3): 23-34; DOI:10.3368/sub.35.3.23 [PDF]  

Marie-Pascale Huglo

The Salvayre Method
SubStance 35(3): 35-50; DOI:10.3368/sub.35.3.35 [PDF]  

Dominique Jullien

Echenoz’s Modern-Day Mystics
SubStance 35(3): 51-63; DOI:10.3368/sub.35.3.51 [PDF]  

Warren Motte

Gérard Gavarry’s Hops
SubStance 35(3): 64-82; DOI:10.3368/sub.35.3.64 [PDF]  

Lydie Moudileno

Marie Ndiaye’s Discombobulated Subject
SubStance 35(3): 83-94; DOI:10.3368/sub.35.3.83 [PDF]  

Jordan Stump

Jean-Philippe Toussaint, Unfinished
SubStance 35(3): 95-112; DOI:10.3368/sub.35.3.95 [PDF]  

Robin Tierney

"Lived experience at the level of the body": Annie Ernaux’s Journaux extimes
SubStance 35(3): 113-130; DOI:10.3368/sub.35.3.113 [PDF]  

Philip G. Hadlock

Men, Machines, and the Modernity of Knowledge in Alfred Jarry’s Le Surmâle
SubStance 35(3): 131-148; DOI:10.3368/sub.35.3.131 [PDF]  

REVIEWS

Jennifer Wild

Dalle Vacche, Angela, ed. The Visual Turn: Classical Film Theory and Art History. New Brunswick, NJ: Rutgers University Press, 2002. Pp. 279.
SubStance 35(3): 149-152; DOI:10.3368/sub.35.3.149 [PDF]  

Brett Parker

Hoy, David Couzens. Critical Resistance: From Poststructuralism to Post-Critique. Cambridge, MA: MIT Press, 2004. Pp. 274.
SubStance 35(3): 153-157; DOI:10.3368/sub.35.3.153 [PDF]  

Franck Le Gac

Noland, Carrie. Poetry at Stake: Lyric Aesthetics and the Challenge of Technology. Princeton: Princeton UP, 1999. Pp. 280.
SubStance 35(3): 157-161; DOI:10.3368/sub.35.3.157 [PDF]  

Larson Powell

Winthrop-Young, Geoffrey. Friedrich Kittler zur Einführung. Hamburg: Junius Verlag, 2005. Pp. 200.
SubStance 35(3): 161-167; DOI:10.3368/sub.35.3.161 [PDF]  

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