Paul Harris

Nothing: A User’s Manual
SubStance 35(2): 3-16; DOI:10.3368/sub.35.2.3 [PDF]  

Clark Lunberry

Departing Landscapes: Morton Feldman’s String Quartet II and Triadic Memories
SubStance 35(2): 17-50; DOI:10.3368/sub.35.2.17 [PDF]  

Daniel Listoe

Seeing Nothing: Allegory and the Holocaust’s Absent Dead
SubStance 35(2): 51-70; DOI:10.3368/sub.35.2.51 [PDF]  

Samuel Frederick, Nilima Rabl, and Paul Harris

Dividing Zero: Beholding Nothing
SubStance 35(2): 71-82; DOI:10.3368/sub.35.2.71 [PDF]  

Amy Cook

Staging Nothing: Hamlet and Cognitive Science
SubStance 35(2): 83-99; DOI:10.3368/sub.35.2.83 [PDF]  

Dimitris Vardoulakis

The Return of Negation: The Doppelgänger in Freud’s "The ‘Uncanny’"
SubStance 35(2): 100-116; DOI:10.3368/sub.35.2.100 [PDF]  

Peter Gizzi

In Defense of Nothing
SubStance 35(2): 117; DOI:10.3368/sub.35.2.117 [PDF]  

Gail Wronsky

Comment on "The Story of O as Told by E"
SubStance 35(2): 118; DOI:10.3368/sub.35.2.118 [PDF]  

Gail Wronsky

The Story of O as Told by E: For Paul Harris
SubStance 35(2): 119; DOI:10.3368/sub.35.2.119 [PDF]  

André Habib

Ruin, Archive and the Time of Cinema: Peter Delpeut’s Lyrical Nitrate
SubStance 35(2): 120-139; DOI:10.3368/sub.35.2.120 [PDF]  

Ross Benjamin and Heesok Chang

Jacques Derrida, The Last European
SubStance 35(2): 140-171; DOI:10.3368/sub.35.2.140 [PDF]  

REVIEWS

Gray Kochhar-Lindgren

Elias, Camelia. The Fragment: Towards a History and Poetics of a Performative Genre. New York: Peter Lang, 2004. Pp. 385.
SubStance 35(2): 172-178; DOI:10.3368/sub.35.2.172 [PDF]  

Michael Bérubé

Paulson, William. Literary Culture in a World Transformed: A Future for the Humanities. Ithaca and London: Cornell University Press, 2001.
SubStance 35(2): 178-182; DOI:10.3368/sub.35.2.178 [PDF]  

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