Ludovic Cortade

Le Cinéma du diable: Jean Epstein and the Ambiguities of Subversion
SubStance (Issue 108) 34(3): 3-16; DOI:10.3368/sub.34.3.3 [PDF]  

Philip Watts

Roland Barthes's Cold-War Cinema
SubStance (Issue 108) 34(3): 17-32; DOI:10.3368/sub.34.3.17 [PDF]  

Aimée Israel-Pelletier

Godard, Rohmer, and Rancière's Phrase-Image
SubStance (Issue 108) 34(3): 33-46; DOI:10.3368/sub.34.3.33 [PDF]  

Margaret C. Flinn

The Prescience of Élie Faure
SubStance (Issue 108) 34(3): 47-61; DOI:10.3368/sub.34.3.47 [PDF]  

Elena del Rio

Alchemies of Thought in Godard's Cinema: Deleuze and Merleau-Ponty:
SubStance (Issue 108) 34(3): 62-78; DOI:10.3368/sub.34.3.62 [PDF]  

Sam DiIorio

The Woodcutter's Gaze: Luc Moullet and Cahiers du Cinéma1956-1969
SubStance (Issue 108) 34(3): 79-95; DOI:10.3368/sub.34.3.79 [PDF]  

Tom Conley

Cinema and its Discontents: Jacques Rancière and Film Theory
SubStance (Issue 108) 34(3): 96-106; DOI:10.3368/sub.34.3.96 [PDF]  

Louis-Georges Schwartz

Typewriter: Free Indirect Discourse in Deleuze's Cinema
SubStance (Issue 108) 34(3): 107-135; DOI:10.3368/sub.34.3.107 [PDF]  

REVIEWS

Stuart Kendall

Brun, Catherine. Pierre Guyotat: Essai Biographique. Paris: Éditions Léo Scheer, 2005. Pp. 449.
SubStance (Issue 108) 34(3): 136-139; DOI:10.3368/sub.34.3.136 [PDF]  

Laurence M. Porter

Frawley, William J., editor. International Encyclopedia of Linguistics, 2^nd ed. New York: Oxford University Press, 2003. 4 vols.
SubStance (Issue 108) 34(3): 139-148; DOI:10.3368/sub.34.3.139 [PDF]  

Peter Consenstein

Montémont, Véronique. Jacques Roubaud: l'amour du nombre. Lille: Presses Universitaires du Septentrion, 2004.
SubStance (Issue 108) 34(3): 149-153; DOI:10.3368/sub.34.3.149 [PDF]  

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