Marie-Pascale Huglo

Introduction: The Art of War According to Lydie Salvayre
SubStance 33(2): 3-9; DOI:10.3368/sub.33.2.3 [PDF]  

Lydie Salvayre

Refutation
SubStance 33(2): 10-12; DOI:10.3368/sub.33.2.10 [PDF]  

Warren Motte

Voices in Her Head
SubStance 33(2): 13-29; DOI:10.3368/sub.33.2.13 [PDF]  

Jean-Yves Lazennec

Droll Lectures
SubStance 33(2): 30-33; DOI:10.3368/sub.33.2.30 [PDF]  

Brigitte Faivre-Duboz

"Je contre": Tangential Speech in the Writings of Lydie Salvayre
SubStance 33(2): 34-45; DOI:10.3368/sub.33.2.34 [PDF]  

Eric Méchoulan

Report on Lydie Salvayre’s Subversive Classicism
SubStance 33(2): 46-58; DOI:10.3368/sub.33.2.46 [PDF]  

Lydie Salvayre: A Selected Bibliography
SubStance 33(2): 59; DOI:10.3368/sub.33.2.59 [PDF]  

Amir Ameri

The Spatial Dialectics of Authenticity
SubStance 33(2): 61-89; DOI:10.3368/sub.33.2.61 [PDF]  

Anthony Uhlmann

Image and Intuition in Beckett’s Film
SubStance 33(2): 90-106; DOI:10.3368/sub.33.2.90 [PDF]  

Mark B. N. Hansen

Digitizing the Racialized Body or The Politics of Universal Address
SubStance 33(2): 107-133; DOI:10.3368/sub.33.2.107 [PDF]  

Temenuga Trifonova

A Nonhuman Eye: Deleuze on Cinema
SubStance 33(2): 134-152; DOI:10.3368/sub.33.2.134 [PDF]  

REVIEWS

Charles J. Stivale

Deleuze, Gilles. L’île déserte et autres textes. Ed. David Lapoujade. Paris: Minuit, 2002. Pp. 416. [Desert Islands and Other Texts, 1953–1974, trans. Michael Taormina. New York: Semiotexte, 2002. Pp. 323.]
SubStance 33(2): 153-155; DOI:10.3368/sub.33.2.153 [PDF]  

Thomas Armbrecht

Engelberts, Matthijs. Défis du récit scénique: Formes et enjeux du mode narratif dans le théâtre de Beckett et de Duras. Geneva: Droz, 2001. Pp. 415.
SubStance 33(2): 155-159; DOI:10.3368/sub.33.2.155 [PDF]  

Martine Antle

Hayes, Jarrod. Queer Nations: Marginal Sexualities in the Maghreb. Chicago: University of Chicago Press, 2000. Pp. 307.
SubStance 33(2): 159-161; DOI:10.3368/sub.33.2.159 [PDF]  

Dayna Oscherwitz

Rosello, Mireille. Postcolonial Hospitality: The Immigrant as Guest. Stanford: Stanford UP, 2001. Pp 211.
SubStance 33(2): 161-165; DOI:10.3368/sub.33.2.161 [PDF]  

Tom Conley

Stivale, Charles J. Disenchanting Les Bons Temps: Identity and Authenticity in Cajun Music and Dance. Durham, N.C.: Duke University Press, 2003. Pp. 207.
SubStance 33(2): 165-167; DOI:10.3368/sub.33.2.165 [PDF]  

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